The Obligatory ‘My Camera Gear’ Blog Post

Okay, let’s get this one out-of-the-way. Here’s the obligatory “my camera gear” blog post that I know you’ve all been waiting for! Well, it’s not exactly compulsory, and well, I’m sure most visitors really don’t care. But for the aspiring photographers visiting my blog (I thank you), who might be interested in finding out what gear I use, this post is for you.

CAMERAS
Nikon D40 – DSLR body
Nikon D7100 – DSLR body
Sony DSC-RX100 Mark II – compact
Pentax K1000 – SLR 35mm film body

LENSES
Wide Zoom
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
Good general use wide-angle zoom lens offering 15mm to 36mm equivalent field of view. While not the sharpest glass, I have captured some of my best photos using this lens. So I’m not sure why I don’t use it more often.

Prime
AF-S NIKKOR 24mm f/1.4G ED
On a DX (crop sensor) camera body, this is an excellent street photography lens suitable for both day and night shooting, offering a 36mm equivalent field of view. This piece of glass is a bit on the large side, but workable. On the other hand, the cost of this lens might be completely unworkable. Where this lens really proves its worth is for low light, or landscape (urban or nature). You can shoot wide open (f/1.4) with this lens and still have much of the field of view in focus, particularly when paired with a DX camera body, as long as the main subjects are a good 8-10 feet away (or further). That makes this lens ideal for nighttime street photography. Combine this lens with a camera that allows usable ISO up to 6400, and you should never have an issue keeping your shutter speed fast.
AF-S DX NIKKOR 35mm f/1.8G
Another great low-light street photography lens, offering 52mm equivalent field of view. If you shoot with a DX camera, for the price, this lens cannot be beat, and would be my recommendation for your first prime lens.
AF-S NIKKOR 50mm f/1.4G SIC SW
SMC Pentax-A 50mm f/2

Normal Zoom
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR
Just a good all-around lens that gives you 27mm to 450mm equivalent field of view. Sure, there are optical sacrifices with this glass, but if you only want to carry one lens while having the flexibility of shooting reasonably wide or very long, this lens is hard to beat for DX cameras. Just keep in mind this lens is big and heavy and when fully zoomed, it’s almost comically long in length.

Macro
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR
Good reach that also allows you to shoot macro sans tripod for many situations, as long as you are stopped down a good amount. This lens can also be used as a long portrait lens with a 128mm equivalent field of view.

FIELD GEAR
Camera Bag
Lowepro LP36433-PWW Photo Hatchback 22L AW in “Pepper Red”

Lens Case
Lowepro Lens Case 9 x 13 cm

Camera Strap and Accessories
BlackRapid RS-7 Camera Strap – (Read my RS-7 review)
BlackRapid Joey 3 Storage Pocket
BlackRapid Brad Underarm Stabilizing Strap
BlackRapid Tether Kit
BlackRapid ProtectR (Long)
Custom SLR M-Plate Pro – (Read my M-Plate Pro review)

Tripods
Slik Sprint Pro II Tripod with Ball Head & Case in “Gunmetal” finish
Joby GP3 GorillaPod SLR-Zoom Flexible Tripod + BH1 Ball Head with Bubble Level

Flash
Nikon SB-600 Speedlight Flash

Filters
B+W 77mm circular polarizer filter
Hoya 52mm circular polarizer filter
Tiffen 52mm 0.3, 0.6, and 0.9 neutral density filters
Tiffen 77mm 0.6 neutral density filter

Hand Strap (used exclusively with Nikon D40)
Fotodiox Genuine Leather Hand Strap

Other Stuff
Eye-Fi 16GB Pro X2 SDHC Card
Transcend 32GB SDHC Card

STUDIO GEAR
Strobes
AlienBees B400 Strobe/Flash
Neewer 300W Strobe/Flash

There’s even more gear, and I’ll add it to this page over time, including a complete list of all photography books I own. And I will also add bits of information about how and when I use each piece of gear. So be sure to check out this blog post in the future for more information.

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  • Great Blog Post.. Prime – this is an excellent street photography lens suitable for both day and night shooting, offering a 36mm equivalent field of view.