Many months ago I decided I wanted a photographic challenge, and so I picked up an old Pentax K1000 manual SLR camera off eBay. The plan was to start shooting with some Kodak TRI-X 400 black and white 35mm film. However, the film and the camera sat around for months unused. Then came a trip to the Outer Banks in North Carolina for a Thanksgiving vacation, and along came the big Nikon D7100, small Sony RX-100 II, and yes, the Pentax K1000. I was determined to finally use the film camera. I haven’t shot with film since the early 1990s, and even then I shot with automatic cameras. The Pentax K1000 is fully manual. However, there is one handy feature in the K1000, and that’s a built-in light meter in the form of a simple needle that appears on the right side of the viewfinder. Put the needle in the middle using a combination of aperture and shutter speed, and your photo “should” be properly exposed, notwithstanding the look you are going for in a particular scene.
Since film costs money, and since good developing isn’t exactly what I would call cheap (I recommend The Darkroom), I was determined to change my mindset when shooting with film. I can’t just snap away hoping to get a good shot. I really needed to put some thought into each shot. And with that, I actually only shot two rolls of film the entire week.
Here’s one of my favorites.
And here’s another angle of this impressive structure.
Whalehead is a historic home located in Corolla, North Carolina and was built by Edward C. Knight back in the 1920s. It was his “duck hunting” home away from home. Now completely restored, it is open to the public for tours and other events, and was added to the National Register of Historic Places in 1980.
Sometimes when you shoot with film, you get happy accidents that create neat effects, something you’d never get with a pristine digital photo unless you decided to add it in “post.” Take for example the photo below of Bodie Island Lighthouse, with film flaws and a curious but beautifully placed light leak.
I’m always looking for lines and shadows, and as I was walking the boardwalk in Manteo, North Carolina, I spotted this neat intersection of lines and shadows created by the boardwalk and a bench not quite enjoying the shade of a tree
And finally, I look for juxtapositions, sometimes blatantly obvious, like the Full Moon Cafe basking in the bright sun.
Overall, I’m quite satisfied with many of the 70 black and white film photographs I captured during my week in the Outer Banks.